“The art of change ringing is peculiar to the English, and, like most English peculiarities, unintelligible to the rest of the world.
To the musical Belgian, for example, it appears that the proper thing to do with a carefully tuned ring of bells is to play a tune upon it. By the English campanologist, the playing of tunes is considered to be a childish game, only fit for foreigners; the proper use of bells is to work out mathematical permutations and combinations. When he speaks of the music of his bells, he does not mean musician’s music – still less what the ordinary man calls music. To the ordinary man, in fact, the pealing of bells is a monotonous jangle and a nuisance, tolerable only when mitigated by remote distance and sentimental association.”